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Latest Music Reviews
These are the latest 15 reviews that we've completed.
To read a review, click on the song name.
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Genre: Indie Rock
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Christian Lowensprung gave a score of 6 / 10. Comments were:
since the artist gave me two choices, I reviewed Designs. A very special song, mostly of vocals and piano in the foreground. Reminds me a bit of radiohead. What eludes me though is why the artist haven't made any download option available. This has nothing to do with the music itself, but I really feel it needs to be mentioned. A person who decides to visit the artist page will soon forget his / her visit, or why her / he went there if there isn't anything to take home, like a souvenir or something.
Ah well, good song nonetheless, but lacks any memorable moments. Hence the need for that little extra something mentioned above, yes?
Scoring: Songcraft: 6, Recording: 4.5, Freshness: 5.5, XFactor: 8
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Norm Bowler gave a score of 7.08 / 10. Comments were:
This is a moody modern rock song. The first comparison that comes to mind is Arcade Fire. This style of music, though fairly recent has developed its particular hallmarks -- strong contrasts between acoustic instruments and sudden highly distorted bursts; mumbling vocals with a lot of reverb; and an emo-anthem mindset. "Covered In Acrylic" meets this checklist, which either works for it or against it, depending on how you feel about the style. Ten years from now this will either sound classic or dated, depending on whether this approach passes the test of time.
The song is well put together -- nice arrangments and contrasts, good dynamics. This is professional sounding work.
I marked the lyrics down because it's hard to understand some of the words, so I can't judge them well.
Overall, this song hits the mark. I'm just wondering if its their mark. It's the classic problem of wanting to sound of a piece with current musical trends while still needing to stake out your own ground
Scoring: Songcraft: 6.5, Recording: 8, Freshness: 8, Vocals: 7, Musicianship: 8, XFactor: 7
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nb gave a score of 5.41 / 10. Comments were:
Longing and wispy intro like aliens on the earth. Needs more contrast to the melody line becomes quite predictable and hypnotic. The mix is muddled and detracts from the singer he seems buried alive. Some of your ideas are interesting but seems like there is still work to be done (like practicing) to make this an appealing listen.
Scoring: Songcraft: 5.5, Recording: 5, Freshness: 5, Vocals: 6, Musicianship: 5.5, XFactor: 5.5
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Jonathan Sanders gave a score of 8.08 / 10. Comments were:
I'm reviewing "Designs." Nice piano opening, with creepy sound effects that throw the listener off base. Will the vocals be any good though? That's always important in songs like this. The answer is an unequivocal yes. This is a very indie kind of song, and it's not striving to be more than that. Think Arcade Fire on a smaller scale and you'll have these guys in your sights. This is an arrangement which actually improves the quality of what would likely have been an average song at best. But it gets me wanting to hear more, and that's what any good song should do. I think this one might surprise you if you give it the time to soak in. Nice job, Asbury! I'll be keeping you on my radar ...
Scoring: Songcraft: 8.5, Recording: 7.5, Freshness: 8.5, Vocals: 7.5, Musicianship: 8, XFactor: 9
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The Goat gave a score of 7.25 / 10. Comments were:
I love this kind of writing and arranging. The performances are as solid as they come. About the only thing I didn't like was a mix that sounded "two dimensional." Get a fresh set of ears in the mixing booth, and leave the band out of it. Everything sits too close to the "front" and leaves the vocalist's voice working too hard to be "heard." I could listen to stuff like this all day long. It's very fresh. RIYL: Sujan Stephens, Apples in Stereo.
Scoring: Songcraft: 8, Recording: 5, Freshness: 9, Vocals: 7.5, Musicianship: 8, XFactor: 8
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Genre: Pop/Rock
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Norm Bowler gave a score of 5.41 / 10. Comments were:
When you click on the song link the mp3 file name is "GunShy_rough.mp3". Advice #1: Don't send it for review if it's not done. This song sounds unfinished.
I liked the groove and the song. the lyrics are sort of disconnected and I'm not sure what the total message is, but they make nice disturbing little word pictures.
Some critiques: The song has no bassline. Adding one would add interest and drive, and a big bottom would balance the thin and high lead vocal. The harmony vocals are off pitch and don't phrase with the lead vocal well at all. the song would be better if you took them out. Better yet, retrack them and clean them up.
Finally, the backing track is floaty and ethereal, but the vocals are mixed dry and way out front. As a result, it sounds like a backing track with vocals on top, not a single song. I would recommend remixing to make the vocals sit with the backing tracks better. It could be something as simple as bringing the volume down 3db and adding a touch of reverb.
nb
http://www.normbowler.com
Scoring: Songcraft: 7, Recording: 4, Freshness: 6, Vocals: 3, Musicianship: 6, XFactor: 6.5
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Christian Lowensprung gave a score of 7.12 / 10. Comments were:
Jonathan Sanders has here produced a very brave song. What amazes me, is that the vocals is the most dominating thing in the track. Actually the vocals are overly represented. So there isn't a problem getting the message, or the lyrics if you will. I tried this song several times on myself, and I must admit, I didn't like it much at first. But it grows on you, and you appreciate it more if you listen to it more than once. Which in most cases is what happens when you throw a song in a play list for it to play at random. Jonathan takes up a very sad subject, which is suicide. Or at least, that is what I get out of the song. On a more personal note, I had a friend once, who chose that way to end his life. It was not easy to accept his choice, nor was it easy to move on after that. But life goes on, as with all things. That is what I got out of the song. So to you: Either this song will speak to you, or it won't. But it is good nonetheless. Recommended.
Scoring: Songcraft: 6, Recording: 8, Freshness: 7, XFactor: 7.5
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Mike Kovacevich gave a score of 6.66 / 10. Comments were:
First off the wave file says _Rough.mp3 so I'm guessing this is a rough mix and possibly not even the final takes. My comments will be based on that assumption.
The left and right instrumentation is way in the background so when the drums and vocals came in (panned close to center) it caught me off guard. The dry vocals also caught me off guard. My initial thought was I don't know if I'm going to like this, but the opening line "I got a gun for the power trip but I haven't had the guts to put a bullet in it yet" demanded that I keep listening! What a powerful attention getting line! It's so good I would suggest getting back to that a little sooner and more often. It's the hook. And what a simple, powerful, hook indeed. If it is interspersed throughout the song more, you may not need to repeat it five times at the end. The vocals get a little pitchy here and there but are solid.
The lyrics move the story along but I miss it in a couple spots, such as when you ask "what about you?" You don't seem to expand on that or speak from the other person’s point of view. It seems the lyrics could go further, deeper. Being that suicide is the most selfish act a person can commit, maybe you could expand on how “he thinks” people would react if he did go through with it. Also, friends and family can get so caught up in there own selfish little worlds that they miss the signs or give canned little words of encouragement that do more harm than good. You touched on that a little. Maybe that could be expanded as well.
The music is good. Very simple, minimal, and because of the subject matter, it works. I would even be careful on how much harmony and vocal double tracking you do. This is a very isolated, alone individual.
Typically I wouldn’t go here, but do to the subject matter I feel I must. Just incase this is not just a story and is more of a personal battle, I’d like to say that this life can be hideously painful, yet it is still a gift from God and only God can take the hideousness and pain away. Being that I know nothing about you other than what I just heard I can at least comment on that. You’ve certainly got a lot of talent as a singer/songwriter and you do have much to live for. I know that may sound totally trite but I mean it in the most sincere possible way.
Subject matter aside, this song is moody, has a good vibe, and is catchy. All the makings for a very good song! I am anxious to hear the final mix!
Scoring: Songcraft: 7, Recording: 5.5, Freshness: 6.5, Vocals: 6.5, Musicianship: 6.5, XFactor: 7.5
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Ms. Commerciality gave a score of 3 / 10. Comments were:
Downloading this I see the word "rough" - so I am critiquing it AS A DEMO. Here goes... First off, you're on the right track by keeping it simple and clear. Submitting this and working on it will keep it easier to correct and allow others to get the basic idea. Lyrically this needs more work. I get the feeling this is about committing suicide, but listening to the song over and over, I don't know why the subject is considering it. What's going on in his/her life to make this a possibility? Who is talking to him/her about not doing it? And, when you talk about "power trip" and "do nothing crazy" - could this person be considering murder of someone? We don't really know what's going on at all. That has to be explained. Musically, I'm not certain as to what the verses are and what the chorus is. I have a general idea because of the repitition, but there needs to be more change and distinction between all the parts. Lastly, work on the vocals. There are several areas where you are out of tune. Since this is a demo, that won't be critical, but it does help. Good start!
Scoring: Songcraft: 2, Recording: 6, Freshness: 2, Vocals: 3, Musicianship: 5, XFactor: 3
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nb gave a score of 6.33 / 10. Comments were:
Beat is reminiscent of late 90’s hip hop feel, a vibe Neneh Cherry used to use alot. Vocals are soulful and haunting and the highlight of the tune. The production is abit thin for my taste. I like things meatier with substance. Am so glad you didn’t have the guts to put a bullet in it yet and hope you never do. Interesting contrast with the delicate gentle vocal over the darker lyric. Good job Jonathan.
Scoring: Songcraft: 6, Recording: 5, Freshness: 6, Vocals: 8.5, Musicianship: 6, XFactor: 6
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Genre: Rock
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Christian Lowensprung gave a score of 8.25 / 10. Comments were:
You get a lot in one package with Melee Beats's "my baby." It is electro funk. Kind of like the stuff that Phat Boy Slim makes, and Daft Punk's previous work. The sound quality is good, and the mix seems way above standard fare. So to all DJs and casual listeners, this is a nice song to add to your collection. I even danced it about the room myself on one occasion. Recommended.
Scoring: Songcraft: 7.5, Recording: 7.5, Freshness: 8, XFactor: 10
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seedsower gave a score of 3.75 / 10. Comments were:
Find the song sort in lyric and not smooth in sound.
Scoring: Songcraft: 0.5, Recording: 6, Freshness: 5, Vocals: 4.5, Musicianship: 4.5, XFactor: 2.5
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Jonathan Sanders gave a score of 6.58 / 10. Comments were:
Nice hip hop / r&b beat and a solid male and female r&b vocalist make this one worth giving a listen. It's smooth and catchy, and though it becomes a bit repetitive I think this is something fans of the genre will enjoy. Not too much to say beyond that. A good track you may want to hear a few times, though I don't know how much staying power it'll have once it gets stuck in your head and starts to wear out its welcome.
Scoring: Songcraft: 6, Recording: 6.5, Freshness: 7, Vocals: 7, XFactor: 6.5
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nb gave a score of 6.83 / 10. Comments were:
Original and funky I hestitated on the casio intro and then loved the shift (a shorter pause might be in order). Very 70s kool and gang meets peter framptonish in the new millenium. My baby title has been used a few times but you redo it with a freshness and groove that had me noddin along. This one just feels good despite the abrupt ending. Well done!
Scoring: Songcraft: 5, Recording: 5.5, Freshness: 8, Vocals: 8, Musicianship: 6.5, XFactor: 8.5
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MYSTR Treefrog gave a score of 4.83 / 10. Comments were:
Up-jumpy post dico presto erotica. Loved the female answering voice. Otherwise kinda dreamlike and mechanical.
Scoring: Songcraft: 4, Recording: 6.5, Freshness: 4.5, Vocals: 7.5, Musicianship: 6, XFactor: 3.5
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Genre: Folk
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Christian Lowensprung gave a score of 8.62 / 10. Comments were:
This song only needed one more opinion posted, so I took it upon myself to post one. The original song wasn't available anymore, so I listened to Sunshine Angel. A beautiful mix between folk and pop. Both female and male vocals are very good, and as subtle as you would want to expect from this type of material. But what caught me ablaze was the incredible atmosphere within this song. Kind of melancholic. Powerful. I didn't listen to "storyu" as mentioned, but ben nelson band is one of the best bands I've ever heard within this genre. I dare say that it beats much of the stuff I have heard on radio. Recommended to all dreamers out there.
Scoring: Songcraft: 8, Recording: 8, Freshness: 9, XFactor: 9.5
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Jonathan Sanders gave a score of 5.91 / 10. Comments were:
Reviewing "Sunshine Angel." Acoustic guitar meets the occasional other instrument, but with vocals that are low key and somewhat too dry for the lyrical content. It ain't folk, that's for sure, unless you think Dave Matthews is folk, and this isn't even Dave Matthews caliber, though the art rock leanings suggest he's got aspirations to that level. Needs some more production time and some effort in evening out the mix (particularly the vocals) before this one's ready to be a prime time player. It's a start though. And the second vocalist, the female, really has a good voice. This one might even benefit from putting her at the front instead of the guy. They just don't duet well.
Scoring: Songcraft: 6.5, Recording: 7, Freshness: 5.5, Vocals: 5.5, Musicianship: 6, XFactor: 5.5
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nb gave a score of 4.66 / 10. Comments were:
A good demo and so you see is a good hook. A simple little song about destiny or fate. Singer needs to work on his pitchand whole sound needs to be tighter and more engaged. A good start all in all.
Scoring: Songcraft: 5, Recording: 4.5, Freshness: 4, Vocals: 5, Musicianship: 4.5, XFactor: 4.5
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MYSTR Treefrog gave a score of 2.08 / 10. Comments were:
Wait a minute..it's Your Saviour? Whoa...I thought it was MY Saviour. Good thing God isn't a bunkbed. No one would EVER sleep in the bottom.
Scoring: Songcraft: 1.5, Recording: 3, Freshness: 3.5, Vocals: 2.5, Musicianship: 2.5, XFactor: 1
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MongoKnowsRecords gave a score of 0.5 / 10. Comments were:
Mongo going to give Ben a .50. that's for not having tune on web site that Ben wants to have reviewed. Either get your tune on site or withdraw your request Remember ben;
"Bad Doggie - No Biscut".
Scoring: Songcraft: 0.5, Recording: 0.5, Freshness: 0.5, Vocals: 0.5, Musicianship: 0.5, XFactor: 0.5
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Genre: Rock
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Mike Kovacevich gave a score of 5.33 / 10. Comments were:
Initially it's the, I've heard this song before, feel. A little David Bowie, a little 70's Southern Rock, a little Pink Floyd. I'd like to hear your voice without so much double tracking (I should talk, I'm the king of double tracking the vox). Good lead guitar. There are some syncopation issues with the acoustic guitar here and there. Might want to tighten up the rhythm section a little. It's this big huge sound that kinda stays in one place. Yet, maybe that's the point. I gather from the lyrics that you are in prison. Now that I'm on my 4th or 5th listen and have put aside the "it sounds like this or that" and am just listening to a song, it's growing on me... Glitchy ending, you may want to look into that - it starts fading out and then pops back in for a second at the end. Overall, a simple groove that tells a story. Both have a lot of potential. The groove could use some dynamics. Change it up a bit, let it breath. The story could go deeper into the loneliness, the desperation to get out, the importance of hope, etc. There is a dated sound here but you picked a good date! Keep going, keep pushing it, I could see this a little more gritty, a little less polished.
Scoring: Songcraft: 5, Recording: 6, Freshness: 4.5, Vocals: 5.5, Musicianship: 5.5, XFactor: 5
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Mr. Lexicon gave a score of 4.4 / 10. Comments were:
Covering the classic Dylan finds god tune "I Shall be Released", Seph de Montreal captures the essence of the orignal. The music is outstanding in this recording. I think the double tracking on the vocals is a bit ditracting for my tastes. Overall a very enjoyable version. Hard song to rate as it is Dylan's song....How do I rate Seph's songwriting skills..freshness...or lyrics???? No more covers please!!!!
Scoring: Songcraft: 1, Recording: 7, Freshness: 2, Vocals: 5, Musicianship: 9.5, XFactor: 7
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Jonathan Sanders gave a score of 4.41 / 10. Comments were:
Not sure what to think of this one. It's overly long, almost for the sake of it, but there's some good guitar playing going on. And the vocals sound kind of Black Crowes-ish (almost deliberately so). Still, there's nothing to really grab onto here. Might be enjoyable if you like long-winded classic rock attempts, but otherwise it's just too much of too little.
Scoring: Songcraft: 5.5, Recording: 5, Freshness: 3.5, Vocals: 4, Musicianship: 4.5, XFactor: 4.5
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nb gave a score of 6.5 / 10. Comments were:
Wow I have not heard this old classic for a long time. You have a Bowie type vocal approach which is unique.In fact I think if he did this tune it would osund very similar. The performance is a genuine and appealing jam.
Scoring: Songcraft: 9, Recording: 5, Freshness: 5, Vocals: 6, Musicianship: 6, XFactor: 5
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MongoKnowsRecords gave a score of 5.75 / 10. Comments were:
Seph de Montreal is doing a cove with "I Shall be released". It's a good tune and Seph and his friends put alot of work into it. Seph also put great effort into singing this 80's classic derge and make it somehow his own. Good try but to Mongos' ears this tune belongs with Robbie and the boys. Seph has some talent going but Mongo think he need to loosen up a bit and put some of that effort into writing his own material. Somehow, we possess it better when it our own.
Out of 9 Bonez - Mongo give 20
Scoring: Songcraft: 5, Recording: 6.5, Freshness: 5.5, Vocals: 6, Musicianship: 7, XFactor: 6.5
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Genre: Pop/Rock
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Mike Kovacevich gave a score of 7.58 / 10. Comments were:
great recording!!! wow!!! Crisp yet warm. Nice vocals. Good feel. Pop with a touch of country. It comes off real nice. Vocals are a bit over compressed. I'd like to hear your vocals push through the mix a bit more. Although, the overall mix is top notch. Well performed all the way around. Simple arrangement. A hook or bridge would have been nice to give it a little more depth but that's not what this song is, and that is just fine!!! Great job.
Scoring: Songcraft: 7, Recording: 8.5, Freshness: 7, Vocals: 8.5, Musicianship: 8.5, XFactor: 7.5
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Mr. Lexicon gave a score of 8.08 / 10. Comments were:
Great song, great message, nice vocals and musicanship. Excellent song all around with a strong melody and structure. I am a fan of GIGS now for sure. I even checked out the other tracks on his myspace page. Have a listen, worth your time for sure. Great job!
Scoring: Songcraft: 9, Recording: 8, Freshness: 6.5, Vocals: 8.5, Musicianship: 9, XFactor: 8
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nb gave a score of 7.66 / 10. Comments were:
Lovely composition and production absolutely first rate. Its hard not to draw comparisons with Rod Stewart in his folkster early days ie Maggie May. Your approach and style is quite similar. I like the telling a story quality to your lyrics which are personal and emotional yet universal with the longing quality of the words. The harmonica bridge was a tasteful break . Good job!
Scoring: Songcraft: 8, Recording: 8, Freshness: 7, Vocals: 8, Musicianship: 8, XFactor: 7
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Axeman gave a score of 6.16 / 10. Comments were:
Nothing spectacular, but simple lyrics delivered with conviction. Well produced, and radio friendly material. A solid effort, worth a listen.
Scoring: Songcraft: 6.5, Recording: 7, Freshness: 5.5, Vocals: 7, Musicianship: 7, XFactor: 5.5
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The Goat gave a score of 5.83 / 10. Comments were:
Right from the opening acoustic guitar strums, I was expecting something very very well done. I'm not 100% convinced that I found it. The production is good. This tracks sounds excellent thru a standard-issue pc soundcard thru a set of $60(USD) Audio-Technica headphones. I like the voice well enough as well. This Adult Contemporary Acoustic Pop/Rock track is pleasing to listen to, but there's something that just doesn't grab hold of my ears and set me back in the chair. A lack of conviction in the singer's voice perhaps? A lack of connection between the time the song was tracked and when it finally reaches us, the listener? I'm not sure. All in all this artist has something to say I believe, but I don't think this was the song to get there with.
Scoring: Songcraft: 5, Recording: 8, Freshness: 5, Vocals: 7, Musicianship: 8, XFactor: 5
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Genre: Pop
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Mike Kovacevich gave a score of 4.91 / 10. Comments were:
Very nice voice. Very pleasant during the verses. When you kick it in you either need more than just one guitar or lighten up on the vocal intensity. Maybe soften the melody of the chorus a bit. Although, if you could make the music huge and intense and sound like you're really flying higher than the stars the song would be much more believable. Now, if you want to keep it acoustic, maybe pan two acoustic guitars one to each side and turn them up. Remember, the mood, and musical accompaniment of a song need to support the lyrics and message.
His hand fits perfectly in yours because you can see it in his eyes? That didn't really tell me much. It's poetic, but empty. The only thing you really told me about this guy is that the light in his eyes makes you smile. That is sweet. I can actually picture his blue-eyed glance making you smile. As a listener, I need more of that. Dig! Get real! There must be more to this guy if he can take you higher than the stars! And please tell me it's not sex. Tell me about his character, his kindness, how good he treats you.
Keep going, keep writing, and don't settle, especially lyrically. You have a great voice and a lot of potential!
Scoring: Songcraft: 5, Recording: 5, Freshness: 4, Vocals: 7, Musicianship: 5.5, XFactor: 4
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Mr. Lexicon gave a score of 7.75 / 10. Comments were:
Nice song. Good strong vocals and well sung. I enjoyed the chorus especially and I really like the clean, unproduced sound of the recording. the guitar tone is excellent and well captured. Good effort and a nice song but not enough of a hook to be a hit. But what the hell, I would take this song over "Who let the dogs out?" anyday!!! Give this tune a listen and give props to Mae and Lindsey and their engineer who recorded that acoustic guitar so well!
Scoring: Songcraft: 8.5, Recording: 9, Freshness: 5, Vocals: 8.5, Musicianship: 9, XFactor: 7.5
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Jonathan Sanders gave a score of 4.08 / 10. Comments were:
Nice vocals, but the guitar backdrop leaves something to be desired. It just never seems quite cohesive. And the lyrics ("higher ... higher ... he takes me higher than the sky and makes me feel like I never stopped smiling ... higher than the stars above, all because of you and your love") are as cliché as they come. Sorry, but this one's not worth much time. Maybe there's some songwriting talent here, but it's not coming through properly in this song.
Scoring: Songcraft: 5, Recording: 5.5, Freshness: 3.5, Vocals: 4.5, Musicianship: 5.5, XFactor: 4
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nb gave a score of 5 / 10. Comments were:
Acoustic flavoured pop higher than the sky relies on cliches but is heartfelt and earnest in performance. A rural school girl crush which would fit in the teen and pre-teen demographic. Simple melody and tuneful playing make it an easy listen. Keep working on it good job.
Scoring: Songcraft: 5, Recording: 5, Freshness: 3.5, Vocals: 7, Musicianship: 5.5, XFactor: 4.5
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Nibbish gave a score of 7.08 / 10. Comments were:
"Higher" begins with a bit of acoustic guitar played and one instantly thinks "oh great, it's going to be one of 'those' songs...". The initial verse really doesn't help matters any, as the lyrics are fairly standard, but when the chorus hits.... Suddenly all the conceptions you had about the song have flown out the window, and it turns out to be a quite fine pop song. Whichever of the '2 girls from midcentral Minnesota' is doing the singing here deserves props. She takes a mediocre song with merely passable recording quality and turns it into something special. The song doesn't overstay its welcome, clocking in at a lean 2 minutes, 46 seconds. In the end, this song - shockingly enough - is the type of song you play once, then again, then again. Not a bad thing at all.
Scoring: Songcraft: 7, Recording: 5.5, Freshness: 7, Vocals: 8.5, Musicianship: 5.5, XFactor: 8.5
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Genre: Power Pop
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Mike Kovacevich gave a score of 7.08 / 10. Comments were:
I liked it right off the bat. It's fun. Cool vibe, cool vocals, cool melody. There seems to be some sound quality issues. Maybe just a bad mp3?
Hey wait a minute...It's DONE Already??? Where is the rest of it!!! Come on! Shove a middle 8 in there and keep it going!!! Or better yet, replace the end instrumental bit with a fun sing along twist on the chorus. It is so fun and catchy don't feel bad about letting it go for awhile!
This song has a lot of potential. Don't stop here...
Scoring: Songcraft: 7.5, Recording: 5.5, Freshness: 7.5, Vocals: 8, Musicianship: 7, XFactor: 8
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Mr. Lexicon gave a score of 4.5 / 10. Comments were:
Hole in My Shoe has a real retro lo-fi feel that grooves along to some very familar melody lines. A Beatlesque song in a lot of ways in terms of chord changes and break downs. The recording quality is pretty loose as I said but the drum tones are very muddy. The hook line of the song is cool and catchy. I think this is a song with lots of potential to be a pretty cool track with some editing (too long) and tightening of the recording. Keep at it David!
Scoring: Songcraft: 5.5, Recording: 2, Freshness: 2, Vocals: 6, Musicianship: 7, XFactor: 4
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nb gave a score of 6.41 / 10. Comments were:
Feel good sugar pop more sweet than power retro sounding too. The intro could be shorter I was starting to wonder when something was going to happen but the groove is a great start and shuffles along perfectly throughout. Hole in my shoe is a cute and hooky line and stands out as memorable. Tight production and overall good tune. Ubrupt ending but makes me want to listen again.
Scoring: Songcraft: 5.5, Recording: 5.5, Freshness: 6, Vocals: 7, Musicianship: 7.5, XFactor: 7
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Jonathan Sanders gave a score of 5.75 / 10. Comments were:
Interesting musical composition, the piano and thick drums work well together. The vocals fit the mix well as well, but it all gets a bit too monotonous ... despite this being pop, there's no real hook of a chorus, which detracts a lot from the overall success of the song. It's only two and a half minutes long, so had the chorus had a hook to it, there'd be a lot more reason to go back and keep listening to it again and again -- the essence of a good pop single. Sorry, Dave, close, but not there yet.
Scoring: Songcraft: 5, Recording: 6.5, Freshness: 6, Vocals: 6, Musicianship: 6, XFactor: 5
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Nibbish gave a score of 7.58 / 10. Comments were:
'Hole in My Shoe' is a jaunty little pop song that packs in the hooks. The arrangement keeps things light and bouncy, and the vocalist has the right sound for the song. The lyrics are pure 'i want to leave my girl but can't' fluff, and I could very easily imagine hearing this song on the soundtrack for a movie or TV show. The sound wavers a little at times, and the ending is a little abrupt, but it does little to mar this extremely enjoyable song.
Scoring: Songcraft: 7.5, Recording: 6, Freshness: 9, Vocals: 6.5, Musicianship: 7.5, XFactor: 9
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Genre: Pop/Rock
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Mike Kovacevich gave a score of 6 / 10. Comments were:
Certainly a strong voice! Very strong! The musicianship is also solid. As for the lyrics, why would he touch your face and not continue using his hand to trace your lips? Some aspects of the lyrics are intriguing and different but in a way, I feel that I've heard this all before. It would be nice with a song like this to have a twist or two.
The mix changes a lot, which keeps it interesting. When it gets really heavy the drums get pushed to the back of the mix and the pulse of the song is lost a bit. Also, the vocals get lost here and there. I'm not sure if they should just be a little louder in spots or maybe they are over compressed.
Certainly a lot of time and effort went into the production of this song, which is nice to hear. For example the little breakdown towards the end, "And now I'm not afraid, and now I'm not afraid" is really cool.
Scoring: Songcraft: 6, Recording: 6, Freshness: 6, Vocals: 7, Musicianship: 6.5, XFactor: 5.5
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Ms. Commerciality gave a score of 4.16 / 10. Comments were:
I hear a little influence from Berlin and Evanessence in here and that is a good thing for me because I like those groups. The mix on this is too high for me. I want more bass. I also want less noise. I felt it was "too fuzzy" throughout the song. The effect used? The vocals were not believeable to me. I felt that there wasn't enough emotion in them. At times it was almost like screaming for me. In some parts, there's just too much vocal. Change the voice to be more harmonious when using the background vocals. Right now they seem to similar in spots and almost like they are fighting. Lyrically, it wasn't too bad. I see how you talk about the guy and that he's your addiction. I would like a little more story line in there though as to why he is your addiction...more guts to the song. Right now it's a bit shallow and just lines that really don't take me anywhere emotionally. Tell me more... Good start on this. Just take it further.
Scoring: Songcraft: 4, Recording: 5, Freshness: 4, Vocals: 5, Musicianship: 5, XFactor: 4
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Mr. Lexicon gave a score of 7.5 / 10. Comments were:
Well...hmmm... Strong vocals and good musician ship package in a pop/rock friendly package. I think the song itself is far too long for serious radio play consideration so I would like to see the song compacted a bit to strengthen the attack at presence. The recording itself was a bit low fi to my ears. Get back to the studio and tighten this song and you will have a hit!
Scoring: Songcraft: 6, Recording: 5.5, Freshness: 7, Vocals: 9, Musicianship: 8, XFactor: 8.5
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nb gave a score of 6.66 / 10. Comments were:
Ethereal and dark intro sets a moody tone for this power pop tune. The bellowing my addiction rock vocal chorus is abit over the top so early in the song and seems like it would be more appropriate for a climax. Excellent vox overall just seems abit too much in the chorus could be the mix too. The tight production and top notch musicianship makes it above average.
Scoring: Songcraft: 6.5, Recording: 6.5, Freshness: 6, Vocals: 8, XFactor: 6.5
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Jonathan Sanders gave a score of 3.25 / 10. Comments were:
A Linkin Park-ish opening greets us, along with vocals that sound like Amy Lee of Evanescence. Or at least they WANT to sound like her. But this song should have come about five years ago; now it just sounds dated and redundant. To make it worse, the beat and vocals go out of synch on several occasions. Still, the worst is simply that this is ground which has been tread so many times it's hardly sporting to keep clawing through it for new "inspiration." Back to the drawing board.
Scoring: Songcraft: 5, Recording: 5, Freshness: 1.5, Vocals: 2.5, Musicianship: 4, XFactor: 3
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Genre: R&B
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Nibbish gave a score of 4.33 / 10. Comments were:
With no song named 'Honey Sugar Lover Baby' anywhere on either of the listed sites, I have reviewed a different song instead. 'First' is R&B that seems to have a little bit of a multiple personality as it's got sort of a slow 'crunk' beat, combined with Jay's vocals (more on them in a second), which seem to be going for more of the smooth R&B sound. I'm not sure it mixes so well. Jay's voice doesn't work for this song, I think he sounds off for large chunks. While that may simply be what he was trying to do with his voice, I can say that a song with vocals like this wouldn't get very far commercially. In my opinion, the vocals should be redone in a more straightforward manner. The rap interlude is alright, it's done competantly enough, but the rhyming is nothing special, something a little more enegetic might be in order. Production-wise, everything seems a little flat. The beat has life to it, but the production (especially on the vocals) flattens it out too much. There IS a bit of potential to this one, but it has a ways to go to unlock it.
Scoring: Songcraft: 4.5, Recording: 4, Freshness: 5, Vocals: 3, XFactor: 4
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Jonathan Sanders gave a score of 3.33 / 10. Comments were:
Reviewing "Final Drink." An interesting beat, but the vocals are off key and it ruins the track twenty seconds in. Not worth a listen by any stretch. A big disappointment.
Scoring: Songcraft: 4.5, Recording: 5, Freshness: 3.5, Vocals: 1, XFactor: 2.5
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The Captain gave a score of 4.41 / 10. Comments were:
Jay Curtis' "Honey Sugar Lover Baby" is a somewhat poorly produced number, a muffled introduction to a vocal ability that - with proper handling, decent material and smooth production - might be worth hearing. This is a very repetitive piece with poor structure and a melody that must have been purchased by the note on a tight budget. In other words, not meaning to be cruel, it's monotone and boring.
Scoring: Songcraft: 4, Recording: 4, Freshness: 4, Vocals: 6.5, Musicianship: 4.5, XFactor: 3.5
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nb gave a score of 5.25 / 10. Comments were:
Sweet talker indeed I hear the smokey robinson influences in this live demo production. Watch your pitch on the high scoops the emotional intensity is there but the technique needs some work. The song is strong and engaging R and B. With a great production and some polishing this has potential.
Scoring: Songcraft: 6, Recording: 4, Freshness: 5, Vocals: 5.5, Musicianship: 5.5, XFactor: 5
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MongoKnowsRecords gave a score of 6.25 / 10. Comments were:
Ohh Jay Curtis. "Honey Sugar Lover Baby. Bro.. you got good voice. Good Heart. Good song and some good folks playin with you. It hard to hear certain notes - but voice can't always reach where heart want to go. You should seek out good vocal coach. Do the work and you'll get to where you want to go. Some great ideas coming down in this tune. Don't give up. If you want your dreams... Mongo say you got to work at it. Love it, never give up and never let go of the star that shines inside you. No matter what World say. Over all - Mongo like what you're doing. Hang in there. Out of 9 Bonez - Mongo give Twenty
Scoring: Songcraft: 7, Recording: 6, Freshness: 6, Vocals: 6, Musicianship: 7, XFactor: 6.5
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Genre: Rock
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Andy Chapman gave a score of 5.8 / 10. Comments were:
"Deaf mute cleaner in the basement" is nearly a great song. The vocalist is unique and interesting, with great pitch and tone control, and the recording is polished and smooth. To me the biggest problem is the songwriting, which didn't provide enough interest or charisma. Mighty Shade have a lot of potential, they just have to capitalise on it.
Scoring: Songcraft: 5, Recording: 7, Freshness: 5, Vocals: 7, Musicianship: 6, XFactor: 5
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Mr. Lexicon gave a score of 2.75 / 10. Comments were:
Well....I really did not enjoy this tune and I am struggling to find words to describe it. Think of trippy cheesey soundtrack to a 1970's British indie film that is shown once a year at 2:30 am on Showcase. The lyrics are silly and the medoly is flat. The organ/keyboard lines are dreadfully annoying in my opinion. This song needs to get back in the basement for some editing. Sorry but this one needs a rewrite...work on a strong melody to start...
Scoring: Songcraft: 2, Recording: 3, Freshness: 2, Vocals: 4.5, Musicianship: 4, XFactor: 3
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Jonathan Sanders gave a score of 5.33 / 10. Comments were:
An odd title, but this is definitely not as avant garde as the title might make you think. It's musically straightforward AOR rock from the 70s, with mediocre vocals in the background that really ruined what was a great sounding melody. This one's a long way from being ready, and a lot of it comes from the vocals. I'm disappointed that I can't give this one my recommendation.
Scoring: Songcraft: 5.5, Recording: 7.5, Freshness: 7, Vocals: 3.5, Musicianship: 6.5, XFactor: 5
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nb gave a score of 6.33 / 10. Comments were:
Quite an unusual title and was not sure at first if this was a satire or serious given the melodic and easy listening production. I was expecting something dark and edgy. Give her a chance to integrate into society are words I have never heard sung in a song before almost Bjorkish and then it hit me. English must be your second language and the lyrics are meant to be sincere. BTW Deaf mute is politically incorrect it is deaf without speech but nevertheless a tidy and tasteful production.
Scoring: Songcraft: 6.5, Recording: 6.5, Freshness: 6.5, Vocals: 6.5, Musicianship: 6.5, XFactor: 5
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Ms. Commerciality gave a score of 4.25 / 10. Comments were:
This was an interesting song and, although I felt it was done well instrumentation wise, vocals and performance, I might have a tough time selling the song due to the nature of the subject. I felt a little wierd about the posidy here. The subject wasn't really "skippy happy" like the music was. I also had some issues with the message and couldn't really tell what the second verse had to do with the first. The story was also a bit short and thus didn't really finish what you were saying or explain anything in general. You have the idea of a song here, you have a good start on the music/instrumentation, now all you have to do is go back and really look at what you have and try to "finish" it per se. You can have more up-tempo music, but make it fit your completed story lines. Right now, for me, its just a good start.
Scoring: Songcraft: 4, Recording: 8, Freshness: 3, Vocals: 4, Musicianship: 6, XFactor: 2.5
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Genre: Pop/Rock
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Andy Chapman gave a score of 5.25 / 10. Comments were:
The thing that really struck me about "Summer Fire" was the songwriting; the structure was tight and varied, keeping my interest from start to finish. The vocals were also pretty good, with nice phrasings and timing on behalf of the vocalist. The biggest let down was that the song didn't feel terribly original. The chord pattern has been well used, as has some of the guitar fills. If Songwriter Demo can work something more unique into his work he should really have something to show.
Scoring: Songcraft: 7, Recording: 4, Freshness: 4, Vocals: 6, XFactor: 5.5
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Ms. Commerciality gave a score of 7.5 / 10. Comments were:
The structure is right there and the lyrics were actually really good. The performance was nice and there were some good changes letting one know that they were hearing verses, choruses, etc. The vocals were adequate but definately need work in some places. All in all, I thought that this was a decent demo should you be looking for someone to record it. If you decide to make it a product, I'd work on the vocals or find a different singer. Put a little more edge on the vocals to bring up the "spunk" in the song. Overall, good job.
Scoring: Songcraft: 8, Recording: 8, Freshness: 8, Vocals: 5, Musicianship: 8, XFactor: 8
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Jonathan Sanders gave a score of 6.5 / 10. Comments were:
Nice crisp guitar and Hammond B3 mix with solid vocals to create something fans of the Eagles and Counting Crows will at least find something to enjoy. The chorus has a fairly weak hook ... I don't think I'll remember this song in a few hours. But while it lasted I enjoyed it, and sometimes that's what counts.
Scoring: Songcraft: 6.5, Recording: 6.5, Freshness: 6.5, Vocals: 7, Musicianship: 7, XFactor: 6
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nb gave a score of 5.66 / 10. Comments were:
Has a Tom Petty or Don Henley earl 80’s feel and approach. Singer needs to watch pitch. Summer Fire is a great hook and conversational lyrics work well and are typical for the style and genre. A good solid song accessible and easy to sing along with.
Scoring: Songcraft: 6.5, Recording: 6.5, Freshness: 4, Vocals: 5.5, Musicianship: 6.5, XFactor: 5
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Mr. Lexicon gave a score of 6.16 / 10. Comments were:
A well polished tune is to be discovered under this title (Summer Fire). Nicley recorded with strong musicians at a studio where the engineer knows his way around the knobs.
I think there are some pretty well worn lines and concepts in the lyrics which degrade my scores a bit with this tune. There is really not too much in the way of original concepts writing about summer love for the very first time. Overall a good tune with strong melody lines.
Scoring: Songcraft: 7, Recording: 9.5, Freshness: 3, Vocals: 6.5, Musicianship: 8.5, XFactor: 7
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Genre: Pop/Rock
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Ms. Commerciality gave a score of 9.33 / 10. Comments were:
Todd Alsup is a commercially wonderful singer/songwriter. His songs are all consistant...good form/structure, nice changes, good vocals, solid songwriting. It's nice to hear all of this and I think I'm a fan. On the other side, though, I'd have to say it's not really unique and THAT is what's going to be hard to overcome. Don't take that as not good, that is not at all what is being said. It's just to say that there are a lot of "you" out there. Marketing is what makes the difference between making it and not making it. If you can find that exposure, I think you are going to go far. Make your opportunities, follow through, be nice and always be positive no matter how bleek things seem sometimes. As far as this song, I can't tell you to fix what I believe to be right on the money.
Scoring: Songcraft: 9, Recording: 10, Freshness: 9, Vocals: 10, Musicianship: 10, XFactor: 9
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Mr. Lexicon gave a score of 8.16 / 10. Comments were:
This is the 2nd song of Todd's that I reviewed so I knew that I was getting another quality song. I think this track is very strong. Well written song with a very pop, commercial edge. Again, I found the production smooth but not quite cohesive for some reason. I sounds like the vocal are getting compressed too much when Todd pushes on the pre-chorus and chorus'. The verse vocal lines are fine so I think that could be what is catching my ear as a problem. Let the man sing! He has the chops!
Scoring: Songcraft: 9, Recording: 7, Freshness: 7, Vocals: 9.5, Musicianship: 7.5, XFactor: 7.5
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Jonathan Sanders gave a score of 9.75 / 10. Comments were:
Okay, it's official. Todd Alsup has skills! "Status Quo" is a perfect blend of John Legend and Stevie Wonder, with the most killer of killer hooks as a pop chorus! This is radio ready by every stretch of the imagination, and deserves every listen it gets. His album is clearly going to be one worth buying based on this and the other songs available on his MySpace page. Excellent work, Todd! Excellent work.
Scoring: Songcraft: 9.5, Recording: 9.5, Freshness: 10, Vocals: 10, Musicianship: 9.5, XFactor: 10
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Axeman gave a score of 7 / 10. Comments were:
Very polished song, and Alsup's vocals once again shine. Nothing to really critique here, although i miss the keyboards from the other song i just reviewed by this artist (Good Fight). A bit too popish for my personal tastes, but it's radio friendly and commercially viable.
Scoring: Songcraft: 7, Recording: 8.5, Freshness: 5.5, Vocals: 8.5, Musicianship: 7.5, XFactor: 6
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nb gave a score of 7.75 / 10. Comments were:
Very soulful and could easily cross over to r n b.
Status Quo is excellent in songwriting and production and ready for commercial radio. This has star appeal and showcases the artist’s vocal prowess and tremendous writing skill. Many good things are on the way for this outstanding artist.
Scoring: Songcraft: 8, Recording: 8, Freshness: 6, Vocals: 9, Musicianship: 8.5, XFactor: 7.5
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Genre: Rock
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Andy Chapman gave a score of 7.41 / 10. Comments were:
Wow! "Apple" is without a doubt one of the most refreshing and clever tracks I've heard here in a while. It's so wonderfully dark and gritty that I'm reminded of the likes of Nine Inch Nails, which is no mean feat. I love the crispy and deep percussion, the synth sounds, the tight vocals, the sexy guitar playing and the lyrics too. I'm not sure about the wind - it seems a bit out of place in the mix, especially when it's loud. Never mind, this is a must listen.
Scoring: Songcraft: 7.5, Recording: 7.5, Freshness: 7.5, Vocals: 7, Musicianship: 8, XFactor: 7
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Jonathan Sanders gave a score of 6.16 / 10. Comments were:
What a weird opening ... but it's definitely got my attention! It's a creepy vibe, something NIN would be pleased with. The vocals keep the creepy edge going, blending in a little Marilyn Manson (I keep thinking "Apple of Sodom" even though this is a much more sunny arrangement). Rock with a slight industrial edge and crisp presentation set this one apart. The vocals lean toward the cliché side of things, but the arrangement itself is beyond reproach. I'll give this one my recommendation if only because it relentlessly dug itself into my mind and wouldn't let go. Interesting, indeed, Mr. Kovacevich. The lyrics kill the mood in the end, however and lower my X-Factor score along with the lyric score.
Scoring: Songcraft: 7.5, Recording: 7.5, Freshness: 7, Vocals: 7, Musicianship: 6.5, XFactor: 4.5
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nb gave a score of 6.58 / 10. Comments were:
The age old story of Adam and Eve and an honest statement that you would have done the same thing. Artistically this could of gone anywhere given the tone at first. Initially it seemed you were going to go for being set up and questioning the authority but alas you went the predictable route. Christian radio would no doubt like this tune especially with the redemption ending. Lyrically interesting and thoughtful a nice change from most songs. Large in production, melodically appealing and many layers this makes for an enjoyable listen. Well done.
Scoring: Songcraft: 7.5, Recording: 7.5, Freshness: 5, Vocals: 7, Musicianship: 7, XFactor: 5.5
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Ms. Commerciality gave a score of 6.5 / 10. Comments were:
I really liked this song as it was different. It definately isn't cookie cutter work like so many of the songs one hears being performed out there toady. It did feel too long for me before the vocals come in and then the vocals seemed to miss in a few places - they didn't quite stay on pitch. The prosidy of everything worked really well for me. The music definately enhanced the lyrics. The lyrics seemed to work pretty decently overall, although there were a few spots that I wanted clarified a bit more. It could be just how I heard it. I'd have liked to see these in writing. It was also nice to hear the "stereo" sounds going from one side to the other. I use that every now and again and I don't hear it used that prominently anymore in other works. Cool. I thought you did a good job overall.
Scoring: Songcraft: 6, Recording: 8, Freshness: 7, Vocals: 6, Musicianship: 7, XFactor: 7
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Axeman gave a score of 6.25 / 10. Comments were:
Like the Devil disguising death as an Apple, Mike cleverly disguises The Apple as rock rather than Christian Rock. Well, at least he didn't submit one of the ID songs, which would have provoked a three page diatribe explaining the many misconceptions and delusions of the ID crowd. But i digress... The song itself is quite well crafted, with a wall of sound reminiscent of Genesis (the band, that is). The lyrics are well-written. The vocals are solid, which made me think that maybe there should have been a bit more melody and singing rather than the double-tracked narrative that Mike employs here. Overall, a fairly impressive and thought-provoking work.
Scoring: Songcraft: 7, Recording: 7, Freshness: 6, Vocals: 7, Musicianship: 7, XFactor: 5.5
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Genre: Indie Rock
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nb gave a score of 6.25 / 10. Comments were:
This song went to Worldview. You gotta love a song that starts with a tasty horn section. Heavily influenced by the Stones is attitude and approach. Heck maybe you are a tribute badband to them.Has the old school rock approach which is always nice to hear again. Well played with the horns a standout.
Scoring: Songcraft: 6.5, Recording: 6.5, Freshness: 5.5, Vocals: 7, Musicianship: 6.5, XFactor: 5.5
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Jonathan Sanders gave a score of 5.91 / 10. Comments were:
A very surf / reggae influenced background meets vocals that are oddly spoken (Jack White meets the guy from B52s, anyone?) All in all it's interesting, but lacks substance. As indie rock I suppose that's something of a normal thing, but there's no hook to keep me listening for more than a single spin.
Scoring: Songcraft: 5.5, Recording: 6.5, Freshness: 6.5, Vocals: 7, Musicianship: 6, XFactor: 4
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Axeman gave a score of 6.5 / 10. Comments were:
And a 'blah blah blah' is what theyll get from me! Actually, this is a very contagious little song, with an infectious riff. The Talking Heads influence is evident in the quirkiness. I just wish the singer would slow down a bit. To put this song over the top, an operatic aria would have been a nice touch. Just kidding, blah blah blah.
Scoring: Songcraft: 6, Recording: 6, Freshness: 8, Vocals: 4.5, Musicianship: 7, XFactor: 8.5
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Nibbish gave a score of 7.91 / 10. Comments were:
Blahblahblah is really a fantastic song. The nice, light guitar line tells you it's going to be fantastic right from the begining. The singer (Jonny Don't, ah... get it?) is fantastic, with his ramblings and crazed "hallelujah!!" shout about halfway through. I wish more people made music like this, but they don't, and they never will. This is the Dont's territory, to be weird without being off-putting; to be a little crazy while never losing that attention to detail. Consider me an instant fan.
Scoring: Songcraft: 7.5, Recording: 7, Freshness: 8, Vocals: 8.5, Musicianship: 8, XFactor: 8.5
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The Goat gave a score of 7.5 / 10. Comments were:
It seems we have had a flood, a deluge, of "indie rock/pop" submissions lately here at c0nsensus. "Indie Rock/Pop" is the new "Alternative" for the 21st century -- a refreshing genre of styles that incorporate sunshine pop, Brian Wilson influences, retro-golden age of pop hooks, crazy psychedelic sixties clothing, glam makeup and all manner of things nonsensical. The Dont's were named CMJ/Sonicbids Artist of the Week in February 2007 -- and deservedly so. BlahBlahBlah exemplifies the spirit of lo-fi indie madness that has been increasingly growing in popularity over the past five years in the US. Loud, noisey, scratchy, interesting, intelligently constructed noise-pop -- goat be lovin' this stuff. Uh oh -- goat be dancin' -- hips beware -- love that guitar!
Scoring: Songcraft: 8, Recording: 5, Freshness: 9, Vocals: 8, Musicianship: 8, XFactor: 10
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